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§ 41 — What is a copy of an authorial work
41.—(1) A “copy” of an authorial work is a reproduction of the work in any material form.(2) Without limiting subsection (1), an authorial work is reproduced in a material form if —(a)
it is stored —(i)
in a computer;
(ii)
on any medium by electronic means; or
(iii)
on any other medium from which the work, or a substantial part thereof, can be directly reproduced;
(b)
it is reproduced in the form of a film;
(c)
in the case of a literary, dramatic or musical work — it is reproduced in the form of a sound recording;
(d)
in the case of an artistic work in a 2‑dimensional form — a version of the work in a 3‑dimensional form is produced;
(e)
in the case of an artistic work in a 3‑dimensional form — a version of the work in a 2‑dimensional form is produced; or
(f)
it is converted into or from a digital or other electronic machine‑readable form (whether from or into a copy in the form of a film or sound recording, or otherwise).
(3) To avoid doubt, this section applies in relation to an adaptation of a literary, dramatic or musical work as it applies in relation to an authorial work.
—(1) A “copy” of an authorial work is a reproduction of the work in any material form.
(2) Without limiting subsection (1), an authorial work is reproduced in a material form if —(a)
it is stored —(i)
in a computer;
(ii)
on any medium by electronic means; or
(iii)
on any other medium from which the work, or a substantial part thereof, can be directly reproduced;
(b)
it is reproduced in the form of a film;
(c)
in the case of a literary, dramatic or musical work — it is reproduced in the form of a sound recording;
(d)
in the case of an artistic work in a 2‑dimensional form — a version of the work in a 3‑dimensional form is produced;
(e)
in the case of an artistic work in a 3‑dimensional form — a version of the work in a 2‑dimensional form is produced; or
(f)
it is converted into or from a digital or other electronic machine‑readable form (whether from or into a copy in the form of a film or sound recording, or otherwise).
(3) To avoid doubt, this section applies in relation to an adaptation of a literary, dramatic or musical work as it applies in relation to an authorial work.
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