§ 67 — What does a performance of an authorial work include

67.—(1) A “performance” of an authorial work —(a)

includes —(i)

any mode of visual or aural presentation of the authorial work, whether the presentation is by —(A)

the use of any receiving apparatus;

(B)

the exhibition of a film;

(C)

the use of a record; or

(D)

any other means; and

(ii)

the delivery of the authorial work by way of a lecture, an address, a speech or a sermon; but

(b)

does not include the communication of a work to the public.

(2) “Perform”, in relation to an authorial work, has a corresponding meaning.

(3) To avoid doubt, this section applies in relation to an adaptation of a literary, dramatic or musical work as it applies in relation to an authorial work.

—(1) A “performance” of an authorial work —(a)

includes —(i)

any mode of visual or aural presentation of the authorial work, whether the presentation is by —(A)

the use of any receiving apparatus;

(B)

the exhibition of a film;

(C)

the use of a record; or

(D)

any other means; and

(ii)

the delivery of the authorial work by way of a lecture, an address, a speech or a sermon; but

(b)

does not include the communication of a work to the public.

(2) “Perform”, in relation to an authorial work, has a corresponding meaning.

(3) To avoid doubt, this section applies in relation to an adaptation of a literary, dramatic or musical work as it applies in relation to an authorial work.